Jan Záveský

fx-01

2013-10-18 06:18:06.906000+00:00
Real-time musical composition, an interpretation of FOREX data. Using real-time values of most traded currency pair (EURUSD) at biggest and most liquid market (FOREX) to musicaly reflect the immediate character and changes of this currency pair and therefore the whole world which directly and indirectly infulece it. Capturing the emotions and reflecting them through basic musical means. The concept The relation between two major world currencies, the financial instrument EURUSD, aggregates, sums, reveals and quantifies moods and emotions of staggering amount of people. It mirrors peace, hopes, fears, false hopes, expectations, satisfaction, restlessness, rush (...) of people who directly deal with forex. Of course, these people are calm professionals, but if we look on the result (analyzed price moves) we see panic, hope, fear, ...what’s happening now and what will happen next. They do behave the same way as anyone else, they do have their families and go on holidays do watch footbal and are particularly sensitive to world events and express this sensitivity almost immediately. If something in the world happen, it’s almost immediately reflected in the progression of price of EURUSD. Technical indicators used to analyze the price moves show these emotions. ‘Standard Deviation’ for example reveals some kind of indeciveness present. Together with ‘Williams’ Percent Range’ (saturation), ‘Moving Avarage” (longer period progression/trending) and others it can give us nice image of world’s emotions in the very moment. This project aims to capture and analyze these ‘world emotions’ and interpret them as music. Formal simplicity and sound legibility alows to “read” and “go through” or follow and feel current situation. The composition The composition itself is defined by a set of rules which are composing it and playing it now. The rules deal with traditional musical elements: melody, harmony, rhythm and dynamics, intentionaly leaving out everything else (sound alchemy) to make the conceptual layer more legible and clear as much as possible (a single software grand piano is used for final output). The basic elements which define the composition are: the price which determines the pitch, then is used one of the basic technical indicator, the Standard Deviation (volatility), to determine dynamics of the current tone, similarly to pitch: when volatility (we can say restlessness) rises the intensity of tone is nearing the maximum, when the market (i.e. the people that move it) is still and calm the expression becomes more subtle. Other indicators like Williams‘ Percent Range (overbought/oversold/balanced market, it‘s like false-hope-meter), Volumes (volumes of trades, activity in current period) etc. are used for harmonization and rhythm. All these algorithms are context aware which means they look behind and interpret the current values in context of what happenned in near past. This happens in cycles several times per minute/second according the activity of the market at the moment (of course, there‘s also strong temptation to ‘playback’ historical data of significant or seemingly insignificant historical events which is also possible and interesting. To playback 9/11, to playback 18 March 2011 when no-fly zone and air strikes in Libya were set up, Olympic Games, earthquake in Asia, Superbowl match ...). premiered at Prague Quadrennial 2011
by: Jan Záveský
fx-01
fx-01
by: Jan Záveský

music

2013-10-18 06:19:08.203000+00:00

void

2014-07-04 09:41:22.878592+00:00
memory, erase, experiment, photography, project
skica
by: Jan Záveský
void
by: Jan Záveský

this is about to change

2014-03-30 22:24:14.845156+00:00
in fact, it's changing right now. as you are. as you are changing it. even if you are not. changing. it.
by: Jan Záveský

this

2013-09-27 12:37:47.328000+00:00
Data Structure, Visual appearance, Meaning (Point) of both
Experimental project of myself based on the idea of shifting hypertext to visual dimension. Uderlying priciples are: 1) self-organizing fluid data structure (of more or less relevant personal notes) 2) one class fits all 3) experimental means: I really do feel free to fail to meet UX standards and other otherwise useful phenomena.
by: Jan Záveský
this
by: Jan Záveský

one

2013-09-27 12:57:02.703000+00:00
Structure of this is built upon flexible relations of objects of just one class. There are no categories, no sections, no tags. Just one class. 24 lines of code, comments and blank lines included. The rest is interpretation.
by: Jan Záveský
one
by: Jan Záveský

sound

2014-03-30 23:52:06.116605+00:00

model

2014-08-01 20:22:50.548847+00:00

re-context(ualization)

2015-01-26 10:21:01.229873+00:00

i knew this girl...

2016-10-06 00:09:02.581483+00:00
...in elementary school who said she wanted to be a polar bear when she grew up.
by: Jan Záveský

hledání významu tam, kde není

2014-06-20 10:33:45.065529+00:00

photography

2014-07-04 09:42:23.737059+00:00
photography
by: Jan Záveský

prismatic purplish-black glistening crystals

2014-08-05 20:53:32.345734+00:00

sekundy od půlnoci dne začátku

2015-06-25 08:26:47.149531+00:00

this is complicated

2014-06-10 20:05:47.216634+00:00
...if you try to follow in linear fashion.
by: Jan Záveský

random thoughts

2013-09-27 10:26:28+00:00

poetry in motion

2014-06-10 20:08:51.255639+00:00

orgán sám

2015-01-12 11:12:43.581633+00:00

i tried to mac my diff and the git didnt work

2017-09-03 15:21:21.531078+00:00

metaphors

2014-03-28 11:09:59.037978+00:00

finnegans wake, dachte ich auf dem ohrensessel

2014-06-25 18:59:33.677939+00:00
read aloud.
by: Jan Záveský

visuals

2013-10-18 06:31:37.796000+00:00
graphic design, illustrations, graphic novels, movies ...
by: Jan Záveský

imperativ

2014-08-03 15:01:32.559744+00:00
Imperativ (též rozkazovací způsob) je slovesný způsob, jímž se vyjadřuje přímý rozkaz, požadavek či zákaz. 1 - Find the music you love Browse millions of artists and tracks. Ohmytracks is using Last.FM to create a better user experience by offering you music that matches your tastes. 2 - Post it to your profile Once you've found some music you would like to share, post it on your wall and let your followers see it! 3 - Follow people with same music tastes Follow the people you like and they will follow you back! All your followers will see your contributions and your home page will aggregate posts from all people you follow. 4 - Save discoveries in your playlists Save your favorite tracks into playlists and share them on social networks!
by: Jan Záveský

two slices of mock bacon awaiting l and t

2015-07-28 23:53:16.969249+00:00

child has not panicked or panic has been cleared

2016-10-23 02:55:13.290020+00:00

chomsky hierarchy

2014-07-16 09:16:41.593160+00:00 chomsky hierarchy

hyper text

2014-03-31 00:04:51.723338+00:00
hypertext is quite nice parallel to what i see as non-linear, abstract way of thinking. as oposite to linear thinking: 'I will go to store. There I will buy a rhubarb. Than I will go back home and make a rhubarb cake'
by: Jan Záveský

information layout?

2013-10-18 06:25:02.093000+00:00
...rectangular? oh!
by: Jan Záveský

racing mind

2014-03-30 23:46:58.850075+00:00

pařez 4

2014-06-20 10:44:27.362491+00:00
pařez 4
by: Jan Záveský

improvisation

2014-07-04 09:59:34.126617+00:00

kelímky z kysličníku yttritého

2014-09-12 10:28:36.009141+00:00

system

2015-01-12 11:14:34.348011+00:00

pařez 5

2014-06-20 10:47:07.937154+00:00
pařez 5
by: Jan Záveský

clarity of expression

2014-03-27 19:34:46.867482+00:00
language, clarity, alibism, art, fear,
language is to communicate, not to obscure. it is the message which might be hard to get. complex, ambiguous, ... not the medium, the language. it's alibism to obscure trivial message with ambiguous language. ability to speak clearly is the prerequisite of communicating ambiguous thoughts.
by: Jan Záveský

pařez 1

2014-06-20 10:41:17.568699+00:00
pařez 1
by: Jan Záveský

artificial neural networks

2014-06-29 19:20:49.024838+00:00

f. x. šalda ukazuje b. fučíkovi svého psa

2015-01-26 10:22:10.997100+00:00

raging mad

2014-03-30 23:49:11.615770+00:00

pařez 3

2014-06-20 10:43:41.246144+00:00
pařez 3
by: Jan Záveský

texting dad

2014-03-30 23:54:15.104682+00:00

pařez 2

2014-06-20 10:43:01.453559+00:00
pařez 2
by: Jan Záveský

false abstraction

2014-04-29 23:49:52.132158+00:00

committee of machines

2014-06-29 19:19:45.628563+00:00

does materials engineering belong in music?

2014-03-31 00:10:07.597609+00:00

more than that

2014-03-31 15:27:42.945038+00:00

proč je to sakra napůl v angličtině?

2014-05-26 21:28:53.304918+00:00
některý věci jsou určený publiku, jiný lokálnímu publiku. některý věci maj globálnější kontext, jiný jsou naprosto lokalizovaný a do globálního kontextu PRAKTICKY nepřeložitelný. kdyby to nebylo marný, bylo by to celý anglicky.
by: Jan Záveský

the morfology of emoticons

2014-06-29 21:49:57.136374+00:00
the morfology of emoticons is changing through the time
by: Jan Záveský

liminality

2014-08-01 19:45:13.079004+00:00 liminality

gaming pad

2014-03-30 23:54:24.878413+00:00

scary, isn't it?

2014-04-15 21:22:53.296178+00:00

i hate newton's rings on print but they look cool on lcd panel

2014-06-20 13:47:12.488461+00:00
definitely. and natural dust'n'scratches too
by: Jan Záveský
i hate newton's rings on print but they look cool on lcd panel

text (linear text, text itself)

2014-06-25 19:01:11.600149+00:00

macaronesia

2014-06-29 14:47:49.711538+00:00

black highway

2014-07-04 09:57:13.590112+00:00 black highway

zap gremlins!

2014-07-10 09:45:28.110277+00:00

soundcloud

2014-07-13 21:45:17.676106+00:00
fx-01
soundcloud

zappa

2014-08-01 19:24:46.018251+00:00

going somwhere

2014-12-05 00:30:46.480514+00:00

nezhloupnout umí málokdo

2015-01-26 10:19:55.941118+00:00

automatic text

2014-03-31 00:06:39.578191+00:00
...and this is an experimental project dedicated to visualizing a structure representing as close as possible unconstrained non-linear thinking.
by: Jan Záveský

who is this doing this synthetic type of alpha beta psychedelic funkin'

2014-04-03 07:17:19.572930+00:00

free form

2014-07-31 09:10:49.036216+00:00

jaspers

2014-08-01 19:46:14.876058+00:00

possibility of expressing a single thought

2014-03-27 23:11:43.091620+00:00

blasting rap

2014-03-31 00:00:21.685101+00:00

wortsalat

2014-04-29 23:50:58.013877+00:00

archipelago

2014-06-29 14:48:33.452591+00:00

twitter

2014-06-29 21:48:10.733138+00:00
...yes i will wire this to my twitter account, to see what will happen)
by: Jan Záveský

noiz pozor!

2014-07-04 10:02:57.378293+00:00
noiz pozor!
by: Jan Záveský

imp

2014-08-01 19:19:52.866804+00:00 imp
imp
by: Jan Záveský

potenciál břesknosti

2018-02-22 17:21:36.396410+00:00 potenciál břesknosti

počet lyžařodnů

2018-04-10 19:47:21.074398+00:00

release penguins

2014-04-08 08:43:48.462271+00:00

atlb

2014-06-29 14:52:21.834430+00:00
All The Lonely Bitches Jan Záveský - elektronika, trubka Štěpán Uhlíř - Kytara
by: Jan Záveský

art brut

2014-07-04 11:40:30.811847+00:00

activate.fish

2014-04-08 08:43:11.762305+00:00

art's birthday, veletržní palác

2014-04-18 07:50:09.614644+00:00
arts birthday, atlb
live performance of long time gone jazz / electronic project atlb at national gallery Prague. Jan Zavesky, Stepan Uhlir.
by: Jan Záveský
art's birthday, veletržní palác

upejr

2014-04-19 09:26:29.770322+00:00
Long time gone noise project.
by: Jan Záveský
upejr
upejr
by: Jan Záveský

dépêchez vous!

2014-06-29 14:57:45.708481+00:00

diesel power

2014-06-29 19:32:46.831319+00:00
kafe s maltodextrýnem, cigáro a panáka. a jedem come on motherfuckers, come on!
by: Jan Záveský

ohrensessel

2014-06-29 21:26:33.569057+00:00

...and what if only entity understanding this mess was a robot?

2014-12-04 23:56:24.507367+00:00

kamikazé verbal

2014-07-27 09:22:56.839542+00:00

ερινύες

2014-07-31 09:05:50.064272+00:00

confit de canard

2014-04-08 09:19:28.287687+00:00

synth-pathetic

2014-06-25 19:20:37.085098+00:00

wire kit

2014-07-04 11:49:49.279716+00:00
conceptual art made in NEWPORT (CA, USA) factory.
by: Jan Záveský
wire kit
by: Jan Záveský

tapírník

2014-07-21 18:55:47.197349+00:00

furiae

2014-07-31 09:04:10.881473+00:00

lítice

2014-07-31 09:06:51.988696+00:00

what does matter?

2013-10-05 15:55:55.718000+00:00

platí sopoušek?

2013-10-18 06:39:24.328000+00:00

feeling bad

2014-03-30 23:53:41.118556+00:00

tiché revoluce uvnitř ornamentu

2014-04-18 07:43:49.653238+00:00
exhibition, instalation, light, visual, review
tiché revoluce uvnitř ornamentu

palec ma cenu trech prstu

2014-10-21 22:52:55.587555+00:00

inside joke?

2013-09-27 10:23:45.656000+00:00

aarne-thompson-index

2014-08-01 19:22:14.934861+00:00 aarne-thompson-index

the great gazoo

2014-08-01 19:23:00.634229+00:00 the great gazoo

shadowfax

2014-08-01 20:09:51.033056+00:00

revolver revue

2014-04-19 07:54:43.206313+00:00 revolver revue

archa

2014-04-19 09:26:53.032946+00:00
MIKE PATTON (USA) + ZU (IT), upejr (CZ)
by: Jan Záveský
archa

archa

2014-04-19 09:27:13.915749+00:00
stimul festival
by: Jan Záveský
archa
archa
by: Jan Záveský

donor

2014-08-01 19:39:36.825903+00:00 donor

gullfaxi

2014-08-01 20:07:17.793990+00:00

zlatohřívák

2014-08-01 20:10:26.977337+00:00

lidovky

2014-04-17 15:48:04.416089+00:00
brno, moravska galerie, realizace
lidovky

moravska galerie

2014-04-17 15:52:24.227462+00:00
exhibition, instalation, light, generative graphics
moravska galerie

studio-lr

2014-04-17 15:53:14.541875+00:00 studio-lr

designguide

2014-04-17 15:54:31.455102+00:00 designguide

galerie laboratorio

2014-04-17 15:55:04.249689+00:00
exhibition, performance, sound, photography
galerie laboratorio

cz-museums

2014-04-17 15:56:48.065065+00:00 cz-museums

kulturissimo

2014-04-17 15:57:27.335181+00:00 kulturissimo

zakázané území

2014-04-18 07:41:44.743100+00:00
photography exhibition
zakázané území

linkedin

2014-04-19 07:40:53.378769+00:00 linkedin

ondrej pribyl

2014-04-23 09:18:46.296661+00:00
photography, daguerrotypes
ondrej pribyl

fotograf

2014-07-04 11:19:19.369858+00:00
prej fotograf
by: Jan Záveský
fotograf

skinfaxi

2014-08-01 20:10:54.782810+00:00

hrímfaxi

2014-08-01 20:11:27.448496+00:00

minutova opera

2014-10-21 22:22:04.322584+00:00

6:50 - personal note

2018-02-25 05:56:02.031858+00:00